|
|
|
|
|
|
Albrecht Durer
The Abduction on the Unicorn
mk168
350x254mm
1516
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Albrecht Durer
Hercules at the Crossroads
mk168
323x223mm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Albrecht Durer
Hercules Kills the Stymphalic Birds
mk168
85x110cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Albrecht Durer
The Muse Calliope an Engraver of Ferrara
mk168
201x141mm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Albrecht Durer
Prudentia
mk168
202x135mm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Albrecht Durer
The Death of Orpheus
mk168
288x225mm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Albrecht Durer
The Death of Orpheus
mk168
145x216mm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Albrecht Durer
The Suicide of Lucretia
mk168
168x75cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Albrecht Durer
The Great Ture
mk168
410x315mm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Albrecht Durer
A Nosegay of Violets
mk168
117x104mm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Albrecht Durer
Linden Tree on a Bastion
mk168
Watercolor and body color on vellum
343x267mm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Albrecht Durer
A Lobster
mk168
247x429mm
1495
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Albrecht Durer
Wing of a Blue Roller
mk168
1512
197x200mm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Albrecht Durer
A Young Hare
mk168
241x226mm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Albrecht Durer
The Virgin with a Multitude of Animals
mk168
321x243mm
Pen and ink on paper with watercolor
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Albrecht Durer
The Head of Stag
mk168
228x166mm
1514
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Albrecht Durer
The Head of a stag Killed by an arrow
mk168
252x392mm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Albrecht Durer
A Duck
mk168
1515
233x127mm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Albrecht Durer
The Madonna with the Monkey
mk168
191x122mm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Albrecht Durer
The Holy Family with three rabbits
mk168
390x280mm
|
| |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
| Albrecht Durer
|
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
|
